news
  • 21.3. - 21.9.2025
    exhibition

    our project "the idea of a tree" is part of the 2nd solar biennale "Soleil-s" at the MUDAC in Lausanne.
    Will live production of objects for their permanent collection on the 19.March, 21.June, 21.September

    MUDAC - solar biennale 2

  • ongoing
    permanent installation

    "Vital Rain" is a permanent installation in the museum yard. The installation was commissioned on the occasion of the "water pressure" exhibition in 2024

    MK&G Hamburg

  • ongoing
    interior design

    We developed the interior for the "Direktion - für alle". A multipurpose room in the MAK for workshops, readings, lectures, receptions, or simply as a place to relax.

    MAK

  • 22.5 - 6.7.2025
    exhibition

    our "ratio" project is part of the 13th edition of the Saint-Étienne International Design Biennial with the topic "Resource(s), Foreseeing the future"

    Design Biennale Saint Etienne

  • 6.6.2025 - 25.1.2026
    exhibition

    the "curiosity cloud-european edition" is part of the exhibition "WEtransFORM European Bauhaus and behond" exhibition. This adapted version represents extinct, endangered and common insects from Europe.

    Bundeskunsthalle Bonn

  • 18.9.2024 - 18.5.2025
    exhibition

    our "access" glasses are part of the exhibition AUT NOW - 100 x Austrian design for the 21st century.

    MAK - AUT NOW

  • april 2024 - ongoing
    factory tour

    We designed the factory tour for Laufen in Gmunden with a lot of details and small installations to guide and inform local and international guests.

    Laufen Gmunden

  • 2025
    awards

    Happy that the "access" glasses won the PULSE Award and the 3rd place at the Austrian "Neptun-Wasserpreis"

perspective boxes

a project that plays with one's visual perception

  • year 2017

  • category Products & Furniture

  • commissioned by

    self-initiated

perpective boxes, 2017

The project perspective boxes brings two-dimensional perspective drawings of cubes, into the three-dimensional world in the form of storage boxes. Seen from the right point of view and with light from the left, the perspective boxes appear geometrically perfect and nearly like a drawing on cardboard. However, as soon as they are turned or the observer approaches them, one understands that most of the angles are not 90 degrees and the object is slanted. The perfect geometry is just an optical illusion. The three different shades of colour on the faces of the boxes enable and intensify this effect. Since the boxes are angled the smaller storage containers can be opened by pushing the highest or lowest corner of the lid. While the smaller boxes offer storage space for jewellery, toys or smaller desktop items, the lager box can be used as a little side-table, stool and offers a drawer to store larger things.

The perfect geometry is just an optical illusion.

when looking at the boxes from another perspective, one realises quickly that they are not right-angled

the smaller boxes can store desktop items, small toys and similar things

the lager box can be used as a little side-table, stool and offers a drawer to store larger things

the drawer can be opened with a push-latch system

technical visualisation of a perspective boxes cube. While the vertical lines are all parallel, the horizontal lines are not. The edges are mitred so that the lid slides in perfectly. Three shades of the same colour underline the visual effect.

the lid can be opened by pushing the highest or lowest corner gently

small cardboard models in various colours and showing that the concept works in different sizes

some of the first grey cardboard models during the development

  • material

    small boxes: birch plywood, paint

    big box with drawer: birch plywood, paint, hinges

  • dimensions

    small blue box: 26 x 26 x 26 cm

    small yellow box: 40 x 23 x 15 cm

    small red box: 24 x 17 x 18,5 cm

    big red box: 45 x 45 x 45 cm

  • team

    Katharina Mischer, Thomas Traxler, first test phase (2015): Anouk Buntsma realisation (2017): Benedikt Steiner, Elisa Polner